This will give you your -1.0dBTP target but will also reduce your integrated LUFS by 0.77, so you will need to increase the gain to compensate. If your target is -1.0dBTP (as is the recommendation for streaming services) but your track is peaking at -0.23dBTP, then you would need to reduce your output by 0.77dB. Though rather than adjusting the gain, we’re going to adjust the output on the limiter. Your true peak target can be achieved with a similar approach. At this loudness, the limiter reacts less transparently to the audio. A 1dB gain increase of a track measuring -7 LUFS int might give you an increase of around 0.5 LUFS Int. Note: The LUFS:dB relationship becomes less consistent as the loudness increases. If your master was too quiet with a reading of -20.1 LUFS int, you would need to increase the gain by 6.1dB to hit -14LUFS int. I would recommend reducing a plugin on your master chain that increases gain by this amount (1.7 in this case), such as the gain on your limiter. So if your master has a reading of -12.3 LUFS int (integrated), and your target is -14 LUFS int, then you would need to reduce the gain of the master by the difference, so 1.7dB (-12.3 + -1.7 = -14). There is a relationship between LU (loudness units) and dB (decibels) that gives an easy formula to help you hit your target levels with precision. LUFS and True Peak affect each other and therefore should be addressed simultaneously. This blog post will show you how to master your audio to an exact true peak and LUFS measurement.

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